Graphic designer, writer, and editor based in Berlin.
His practice is guided by context and informed by research, personal observation, and an ongoing curiosity about how layout, typography, and form can shape meaning and open new dialogues, offering critical perspectives on the present and bringing sources of optimism for a better future.
Through self-initiated and commissioned work, he creates printed matter, independent publications and visual identities for music and cultural projects.
His practice is guided by context and informed by research, personal observation, and an ongoing curiosity about how layout, typography, and form can shape meaning and open new dialogues, offering critical perspectives on the present and bringing sources of optimism for a better future.
Through self-initiated and commissioned work, he creates printed matter, independent publications and visual identities for music and cultural projects.
This essay is an extension of the vinyl under the same name. It examines the psychological and cultural conditions of contemporary life under capitalist realism and proposes ambient music as a designed space for reflection, self-care, and temporary resistance. Rather than offering an escape from reality, ambient music is framed here as a suspension of urgency, a non-place where one can momentarily step outside the demands of productivity, consumption, and constant engagement.
The poster-format essay is a consequence of asking myself what it might mean to design, however modestly, a pause within these rhythms.
The poster-format essay is a consequence of asking myself what it might mean to design, however modestly, a pause within these rhythms.
Together, the vinyl design, music curation and written work proposes that design can shape conditions of experience, creating temporary spaces for slowness, contemplation and a different kind of attention.
visual identity